![]() You won’t find dry and punchy synth sounds here, which is why I’ve emphasized that this soundset is better for more ambient and atmospheric productions. As a whole, the vast majority of the sounds have slower attacks and releases with plenty of reverb and space. The lack of ARP/BPM patches is off-putting as someone who gets tons of use out of pulses and sequences, but the keys and atmospheres are very useful. These are minor gripes, but if you use Omnisphere a lot, this can make it difficult to remember where your favorite presets are located.Īs far as sounds go, Unhuman has some of the best in my opinion. These names aren’t exactly descriptive of what the sounds will be like. It’s also a little bit confusing because of the names of certain categories, such as “Signature”, “Pure”, or “Supernatural”. ![]() This isn’t a big deal when you’re browsing Unhuman specifically, but if you set Omnisphere to show all soundsets, Unhuman won’t be thrown in together with everything else. ![]() The first thing you’ll probably notice when checking out Unhuman is that none of its categories match up with default Omnisphere organisation. Unhuman sells for $99 from String Audio Thoughts For more atmospheric cinematic music, you will definitely find a lot of good raw material within Unhuman. While the categorization is a bit confusing and a couple of key categories are absent, the original sound design is very detailed and inspiring, and it was a ton of fun to play through. This set has 239 patches, all using original sound sources. Unhuman is String Audio’s 3rd Omnisphere soundset, continuing the idea of “White, Grey, and Black” cinematic sound design. ![]() Review: Unhuman for Omnisphere 2 by String Audio Jump to the Demos of Unhuman by String Audio Jump to the Videos of Unhuman by String Audio As far as sounds go, Unhuman has some of the best in my opinion. Unhuman provides a fascinating sonic palette of String Audio’s otherworldly sound design for Omnisphere 2. ![]()
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